Showing posts with label Role Models. Show all posts
Showing posts with label Role Models. Show all posts

Tuesday, July 3, 2012

Pride

A moment for honesty:

The idea of going to a Gay Pride Parade had terrified me for a very, very long time.  Having gone to only one last year, I assumed that overly feminine men and overly masculine women would tromp around in heavy costumery or almost nothing at all.  I assumed that everyone who participated in the parade must have been absolutely out of their mind.  After all, who would ever walk for 6 plus kilometers in incredibly hot weather and body glitter?

So, of course, when the opportunity to perform in Paris' Pride Parade this year came around, I threw caution to the wind [such was the nature of this year] and agreed to be part of Aquahomo's dance float.  Doing so would prove my assumptions wrong [another assumption in itself], or at least attempt to, and embrace everything the gay culture had to offer.

Instead of articulately describing what and who I saw, I present to you several handfuls of snapshots.  You'll find realizations at the very end.

"Do we know yet why the group's called AquaHomo?"
"Nope."

Sounds like some friends back home.  Natalia.

 No butts about it.

Jock Strap?

 A tolerant people, the Gays are.

 "Oh, crap.  We're following the Amnesty International float?"

 Bonjour, Les Gais Musette!  Avec José!

Dirty Dancing.

 Note:  Heels.

 Putt-ing themselves out there:  gay golfers.

God Save the Gays:  Surprisingly Supportive Christian Group?

 Gaysian.

Gayngels.

Our float was between Les Gais Musette and the Queer Biking group...

 ... and the Queer Rugby team, accompanied by a mime nun.

 I WONDER what these CATs were up to.

 Jasmine?

 Happened in the middle of the parade,
for those who committed suicide in struggling with their identity.

 Jam sesh, whilst not doing choreography.

Ye olde queeres!

 This group listened to the same 5 songs [1, 2, 3, 4, 5] on loop for 6 hours.

The sun won't set.  It's FRUITless to hope or to fret.

C'est Binh!


Even my cookie was happily proud!

What's a queen to do when her float stops playing music?
Start singing herself.

Ah, c'est le fin!  A la Bastille!

One major highlight:  Watching Kazaky perform LIVE.

 ... Sadly, without heels, oversized scarves, or onion heads.

 Reunited with a tango professor from Buenos Aires at his workshop in Paris!

Here's what I've learned from performing in the Pride Parade:

In a world laced with criticism and  disapproval, only the brave love partaking in the occasional demonstration/protest to piss off some a**holes.  The Pride Parade doesn't focus solely on being gay, or lesbian, or trans, etc.  It's all about taking the time to realize the many facets that make up the jewel you are, and embracing them.  You might focus on one, two, or twenty things that you identify with, and spend an entire day parading around in a caricature of that/those facets.  And in doing so, you own who you've become.  

Yes, there might be 60,000 people oggling you and taking pictures and making videos like you're the albino giraffe at the zoo, but you'd be surprised how much you don't notice them, or even care.  Not when you're doing the things and showing off the person you most love.


[Proud]

Sunday, June 24, 2012

One Day

 

"Joshua," he remembered his mother saying to him, a very, very, long time ago, "One day we'll go to Europe.  You, me, Daddy, and Kikay."  She looked back to the TV screen, where a young cartoon woman began to cry as she reunited with her long lost grandmother.  He remembered not taking his mother seriously, only being interested in finding another peanut butter jellybean somewhere in the bag they bought earlier that afternoon.

"Aye, my god.  Paris...  London...  It's always been my dream to go to all those places before I die.  We'll go.  One day.  Maybe.  When we win the lottery."

Many, many years later, as he pedaled his way past the Arc de Triomphe, past the Louvre, and past la Bastille, this tiny fragment of a memory, however minimally detailed, surfaced to his conscience.  Almost colliding with a parked car, he pulled into an alley and locked his bicycle.

He had fallen in love with the City, that much was obvious.  Throughout his travels, he never regretted any of the places he had gone, but was always asked,

Why did you choose to go there?

His initial answer was simple:  I want to touch each continent before I die.  Upon further consideration, he realized that different reasons brought him to different countries.  India:  where he would experience sensory overload.  Uganda:  where he would learn to appreciate a much more simple life.  Australia:  where he would find how much more he needed to grow.  Argentina:  where he would experience passion, firsthand.  But France?

Where he would live a dream - his or his mother's, that wasn't clear - at the end of a dream year.  Why the rest of his family never made it to Europe, he couldn't exactly understand.  He had made it here without the lottery [although the definition of lottery was now in debate], accomplished before the end of the first quarter of his life.

"Don't worry about your mother," Betty said in Argentina, "If she didn't travel somewhere, she had her own reasons."

As he walked past the patisserie full of macaroons and tartelettes, he couldn't help but think, How fair is it that I got to live her dream before she did?  A tiny pang of guilt tugged at his stomach.  

In Australia, Philip had once expressed hesitation in becoming a parent.  "I think the real challenge in being a parent," he argued, "would be to help my child find happiness.  And if my son or daughter could say one day that they found happiness, I know I'd have done my job."

Later that night, he would take his camera out of his bag and snap a picture of himself with a flower-shaped cone of gelato.  Maybe it was the mix of raspberry and chocolate, or maybe it was the first night that felt like summer, or maybe it was just the good company with whom he had dinner.  Happiness had been sitting there with him so far this year, and he was sure that it wouldn't leave afterwards.


Maybe knowing that would be enough for her.


[Living There TOday]

Tuesday, March 13, 2012

The Storm


About storms [metaphorical and literal]: they happen all the time.

The last time you walked to a milonga during a rain storm you got lost; whoever danced with you later didn’t appreciate your soaked pants legs brushing up against theirs, or your sweaty and rain-drenched shirt they would press their face against during each song.  To avoid that, this time, you’ll find yourself speed walking just to avoid the rain; the day-long shower will clear up for 30 minutes to let you make the 20 minute walk to the milonga.

“Estabas en la Viruta de la noche?” She'll ask, and you’ll realize that it’s not the music in your headphones; it comes from the girl standing next to the ticket collector.  Mistaking being caught off guard and confused, She'll translate: “Weren’t you at la Viruta last night?”

You’ll make small talk – what were you doing at la viruta last night? oh you’re from montreal?  oh you're traveling the world? – and you’re glad to find out she also took the beginner’s class.  While students are waiting for the teacher, She'll actually ask you to dance.  To review what you had learned last night, of course.

Surprisingly, being the only ones on the floor at that moment, it’s not that hard to dance with her.  In fact, her constant reassurance and lighthearted smiles make making mistakes with her so not terrible.

You might be inside, but the storm hasn’t even begun to clear.

You know you have to practice with people who have more experience.  You work with the best, and that’s how you get better.

About more experienced people: good ones also want to get better, so they won’t want to work with you.  As a matter of fact, working with you frustrates them.

They’ll force a smile as they purse their lips, blink frequently with wide eyes and tilted head as you step on their feet, and rub the area over one eyebrow as you continue to apologize for not understanding everything the teacher said and how to do it.  When the teacher says to cambia parejas || change partners, you catch the sigh of relief and rolling of their eyes as they turn to grab onto the next Rico Suave.  After all, this is only your eighth day of classes.  Shouldn’t you be a tango master by now? 

This doesn’t help the fact that the teacher is the kind who thinks you'll understand the material faster if he yells louder.  Understanding every fifth word he says while he jabs the air with his finger and stomps on the wooden floor boards confuses you only more, while your pareja waits with arms crossed, eyes flicking back and forth between you and the teacher as if to catch the information flying from his mouth and into your ears.

The clouds get thicker, darkening the floor around you.  The lightning strikes brighter, blinding you to keep you from seeing where you’re going.  The thunder rolls louder, making it impossible to hear the music.  The rain keeps you frozen from making the next move, dampening your confidence and keeping you from speaking with your body.

"Necesitas más esfuerza del cuerpo. ||  You need more force from the body." One partner will say, and she'll press her head against yours to look for it.

"Necesitas más presencia.  ||  You need more presence." Another will say, and she'll grip the hell out of your hands.

The storm – literal and metaphorical – keeps getting worse.  From within the confines of La Catedral, you can see flashes of lightning, a cold blue, light up the sky and corners of the warm and dark milonga.  Is that rain you hear outside, or the broken fan hovering above your dinner table?

When the class ends – thank god that it finally ended – you turn to pack your frayed Ugandan Converse shoes into your bag and trek back home.  All you want is a pack of crackers and dulce de leche.  Comfort food for such an uncomfortably soggy night.

But She won’t let you.

“Do you want to dance?  I know I’m not supposed to be asking because I’m the girl, but…  I just don’t want to be boring and sit around and just watch people practice.”

You decide not to mention that that’s what you’ve done for a considerable amount of time since you arrived.  As a way of not saying ‘no,’ you quickly warn her that every woman you danced with in class left frustrated with you, and that tonight just isn’t your night.

“That’s alright.  I totally understand; whenever I feel like I danced pretty shittily, I leave in a really crappy mood.  But don’t let it get to you, you’ll be fine.  How about we just teach you how to walk around?”

You can’t deny her that.

She’ll be the one who clears the clouds that night, if not only for a moment.  She’ll calm the lightning and quiet the thunder, and She'll even hold out a flowery red umbrella for you stand under the rain.  She’ll go slow, telling you what your body is or isn’t telling her, something that most dance partners won’t do.  She’ll let you walk her around in circles around the floor, not feeling any shame from the onlookers; who cares if you’re just leading her in a simple walk?  She’s the only one who’ll talk to you instead of smile the mistakes away.

You’ll find yourself there until closing, 2 am Tuesday morning.  You give her your email [because She'll be able to find you on Facebook, because cell phone time costs a shit ton here], and walk her outside, complimenting on how patient She is.

“That’s the only way I learned,” She'll say, “I just kept dancing with people who were patient enough to tell me what did and didn’t work.  I have a friend I met at a club who just wanted to learn to tango, and we’d get together all the time to just play around.  Nothing sexual, just tango.  It’s great.”

Here’s the thing about more experienced people:  the best ones will want to teach you, helping them get better.

You tell her that you need to find one of those, and She smiles.  Worried about how late it is, you offer to walk her to at least the bus stop, but She won’t have any of it.  She can manage on her own.  Upon walking out of the milonga, you notice the rain has cleared up, mostly.  You’ll smile at each other, kiss each other on the cheek [only once, because that’s how it works in Argentina], and go your separate ways.

There’ll be a moment when you look back, and realize that She's already around the corner.  You’ll realize that you hope this ray of sunlight in the middle of the night will find you online, and maybe you’ll even go dancing again.  For a moment, She cleared the storm to let you breathe.

On the walk home, the rain will suddenly start again.  There’ll even be a crash of lightning, and an incredibly loud clap of thunder that actually makes you almost fall into the late-night flower shop’s bucket of roses.  But you’re not in a hurry, not this time.  You’ll let the rain fall, soak your shirt and your pants.

Getting wet won’t be so bad.  Not when you've been warmed by the sun.


[Sun-Kissed & Rain-Soaked]

Tuesday, February 7, 2012

Kailea

Imagine, at Australian Dance Theatre's beginner contemporary class, a teacher who calls out choreography.

"run, run, run, run
Tina Turner, Tina Turner
and swing, and swing
back, back, fence, fence
and lovely!
beautiful!
lovely!
beautiful!"


Hilarious, and loving every minute of it.


[Not Letting Go]

Friday, February 3, 2012

Quote I

The greatest gift I ever gave myself was the freedom to be who I was.
- Philip

[Giving]